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home·artworks·"Si Imprenabilis Pérouges Des Pérouges" Pérouges, Porte d'en Haut
"Si Imprenabilis Pérouges Des Pérouges" Pérouges, Porte d'en Haut by Fernand Combes

plate no. 1830

"Si Imprenabilis Pérouges Des Pérouges" Pérouges, Porte d'en Haut

Fernand Combes, 1919

watercolorImpressionismcityscapebuildingsarchitecturestreetarchwaywindowslandscape
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for realistic textures, and layering watercolor washes to create depth and form. It also provides practice in rendering architectural details and suggesting textures of stone and wood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and archway.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna to the buildings, establishing the base color.

  3. step 03

    Add darker washes of burnt umber and raw sienna to create shadows and define the architectural details.

  4. step 04

    Paint the sky with a diluted blue wash, leaving some areas white for clouds.

  5. step 05

    Add details to the windows, doors, and shutters using a fine brush and darker shades of brown and black.

  6. step 06

    Paint the road and foreground with a mix of earth tones, using dry brush techniques to create texture.

  7. step 07

    Add small details like the number '43' and the vegetation along the road.

  8. step 08

    Refine the details and add final touches to enhance the overall impression.

color palette

primary · yellow ochre · burnt sienna · raw sienna

secondary · ultramarine blue · burnt umber · ivory black

Mix yellow ochre and burnt sienna for the warm tones of the buildings. Use ultramarine blue diluted for the sky. Combine burnt umber and raw sienna for shadows and darker areas.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·perspective
  • ·color mixing

common pitfalls

  • →Overworking the washes, resulting in muddy colors.
  • →Ignoring perspective, leading to distorted shapes.
  • →Using colors straight from the tube without mixing.
  • →Not allowing washes to dry completely before layering.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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