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home·artworks·Showing the Prize
Showing the Prize by George Harvey

plate no. 9725

Showing the Prize

George Harvey, 1826

oilRomanticismgenre paintingfiguresinteriorchildrenfireplacedomestic scenecat
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and understanding atmospheric perspective to create depth. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and key elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses for the figures, clothing, and interior walls.

  4. step 04

    Begin refining the figures, paying attention to proportions and anatomical details.

  5. step 05

    Develop the lighting and shadows, using highlights to create form and depth.

  6. step 06

    Add details to the background elements, such as the fireplace, shelves, and objects on them.

  7. step 07

    Refine the textures of the clothing, walls, and floor using varied brushstrokes.

  8. step 08

    Add final details, such as facial features, patterns, and highlights, to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the warm, muted tones by mixing earth tones with white and small amounts of red, yellow, and blue. Use glazes of transparent colors to build up depth and richness.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish the base color.

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oil painting for beginners →how to learn by studying the masters →
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