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home·artworks·Shivering Girl with a Blue Ring
Shivering Girl with a Blue Ring by Jozsef Rippl-Ronai

plate no. 0032

Shivering Girl with a Blue Ring

Jozsef Rippl-Ronai

oilArt Nouveau (Modern)portraitportraitfigurewomanhairclothingring
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle expressions and using a limited color palette to create a cohesive and evocative mood. Students will also practice blending techniques to create soft transitions and edges.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, focusing on proportions and placement within the composition.

  2. step 02

    Establish the background color with a thin, even layer of paint or pastel.

  3. step 03

    Block in the main areas of value: the dark hair and clothing, the mid-tone skin, and the lighter areas of the face and hands.

  4. step 04

    Begin blending the colors in the face and hands, paying close attention to the subtle shifts in value and hue.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small, precise strokes.

  6. step 06

    Work on the hair, creating texture and volume with short, broken strokes.

  7. step 07

    Refine the clothing and background, adding shadows and highlights to create depth.

  8. step 08

    Add the final details, such as the blue ring and any other small accents.

color palette

primary · red · brown · black · white

secondary · blue · pink

Achieve skin tones by mixing white, red, and brown. Use varying amounts of each to create highlights and shadows. Mix red and brown to create the background color, adjusting the ratio to create subtle variations.

techniques

  • ·blending
  • ·scumbling
  • ·hatching
  • ·portraiture
  • ·value studies

common pitfalls

  • →Overworking the blending, resulting in a muddy or flat appearance.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Ignoring the importance of value in creating form and depth.
  • →Getting the proportions of the figure wrong in the initial sketch.

materials

surface · Pastel paper or primed canvas

required

  • ·Canvas or pastel paper
  • ·Red pastel or paint
  • ·Brown pastel or paint
  • ·Black pastel or paint
  • ·White pastel or paint
  • ·Blending stumps or brushes
  • ·Soft pastels or oil paints

optional

  • ·Palette knife
  • ·Fixative spray
  • ·Easel

Using toned paper or canvas can help to establish the mid-tone values and create a more cohesive painting.

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