apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ships at sea
Ships at sea by Anton Melbye

plate no. 1846

Ships at sea

Anton Melbye, 1867

oilRomanticismmarinashipsseawavesskycloudsmarina
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering dynamic water with highlights and shadows. It also provides practice in painting complex details like rigging and sails.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the ships.

  2. step 02

    Block in the sky with broad strokes, establishing the light and dark areas of the clouds.

  3. step 03

    Establish the base color of the sea, mixing greens, blues, and browns.

  4. step 04

    Begin building up the waves with layers of paint, adding highlights and shadows to create depth.

  5. step 05

    Paint the ships, starting with the larger shapes and gradually adding details like the masts, sails, and rigging.

  6. step 06

    Refine the details of the waves around the ships, paying attention to how they interact with the hulls.

  7. step 07

    Add final highlights and details to the sky, ships, and sea to complete the painting.

color palette

primary · Prussian blue · Titanium white · Burnt umber · Yellow ochre

secondary · Cadmium yellow · Raw sienna · Payne's gray

Achieve the stormy sky by mixing Prussian blue, white, and a touch of burnt umber. The sea is a mix of Prussian blue, burnt umber, yellow ochre, and white, with variations in the proportions to create different shades of green and brown.

techniques

  • ·Layering
  • ·Blending
  • ·Dry brushing
  • ·Scumbling
  • ·Impasto

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Making the waves too uniform and lacking in variation.
  • →Incorrect perspective on the ships

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke