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home·artworks·Shipping off Scarborough
Shipping off Scarborough by John Wilson Carmichael

plate no. 2371

Shipping off Scarborough

John Wilson Carmichael, 1845

oilRomanticismmarinashipsseaskycloudsfiguresbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex shapes like ships and clouds. It also provides practice in creating a sense of depth and light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ships and the horizon line.

  2. step 02

    Establish the sky with a light blue base, gradually adding clouds with varying shades of white and gray.

  3. step 03

    Block in the large shapes of the ships using a mix of browns, grays, and whites.

  4. step 04

    Develop the details of the ships, including the sails, masts, and rigging.

  5. step 05

    Paint the water with horizontal strokes, using darker colors in the foreground and lighter colors in the distance.

  6. step 06

    Add highlights to the water to create a sense of movement and reflection.

  7. step 07

    Paint the figures in the boats, paying attention to their relative size and placement.

  8. step 08

    Add final details, such as the flags, birds, and small boats.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · raw sienna · payne's gray · cadmium yellow light

Achieve the sky colors by mixing ultramarine blue and titanium white, adding a touch of yellow ochre for warmth. Mix browns and grays for the ships, using burnt umber, raw sienna, and payne's gray. Use yellow ochre and cadmium yellow light for highlights.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and distance.
  • →Using colors that are too saturated.
  • →Not paying attention to the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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