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home·artworks·Shipping in Rough Waters
Shipping in Rough Waters by William Bradford

plate no. 8945

Shipping in Rough Waters

William Bradford, 1860

oilRomanticismmarinashipsoceanwavesskycloudssunset
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex water surfaces with light and shadow. Students will also learn to depict the intricate details of sailing ships.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the horizon line and the basic shapes of the ships, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with broad strokes, establishing the warm sunset colors and the shapes of the clouds.

  3. step 03

    Roughly define the ocean surface with varying shades of green and blue, indicating the direction of the waves.

  4. step 04

    Add details to the ships, including the masts, sails, and rigging, using thin brushes and darker tones.

  5. step 05

    Refine the waves by adding highlights and shadows to create a sense of movement and depth.

  6. step 06

    Blend the colors in the sky and water to create a soft, atmospheric effect.

  7. step 07

    Add final details, such as the flags on the ships and the reflections in the water.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the luminosity.

color palette

primary · yellow ochre · ultramarine blue · raw umber · titanium white

secondary · burnt sienna · cadmium yellow · viridian

Achieve the sunset hues by mixing yellow ochre, cadmium yellow, and burnt sienna. Create the ocean colors by blending ultramarine blue, viridian, and raw umber. Use titanium white to lighten the colors and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering waves

common pitfalls

  • →Overworking the details of the ships too early in the process.
  • →Creating a flat, lifeless ocean surface.
  • →Failing to capture the atmospheric perspective in the sky.
  • →Using colors that are too saturated, resulting in a harsh, unrealistic effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, ultramarine blue, raw umber, titanium white, burnt sienna, cadmium yellow, viridian)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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