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home·artworks·Shipping Around a Bridge at Sunset
Shipping Around a Bridge at Sunset by Mary Lizzie Macomber

plate no. 0246

Shipping Around a Bridge at Sunset

Mary Lizzie Macomber

oilRomanticismlandscapebridgewaterboatsskysunsetcityscape
some experience helpful

This painting provides practice in capturing atmospheric perspective and creating a sense of depth through color and value changes. Students will also develop skills in depicting water and reflections using broken brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bridge, boats, and landmasses, paying attention to their relative sizes and positions.

  2. step 02

    Establish the overall color scheme by applying a thin wash of warm colors (reds, oranges, yellows) to the sky and water.

  3. step 03

    Block in the main areas of color for the bridge, boats, and land, using slightly darker and cooler tones for elements further away.

  4. step 04

    Begin adding details to the bridge and boats, focusing on capturing their forms with loose, expressive brushstrokes.

  5. step 05

    Develop the water by layering different shades of blue, green, and gray, using short, choppy strokes to create the illusion of movement.

  6. step 06

    Add highlights to the water and boats to suggest the reflection of the sunset.

  7. step 07

    Refine the details of the landmasses in the foreground, paying attention to the texture and color variations.

  8. step 08

    Add final touches and adjust the overall composition as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · titanium white · cadmium red light · raw umber

Mix blues and yellows for the water, adding white for highlights. Use burnt sienna and raw umber for the land, and mix reds and yellows for the sunset sky. Achieve muted tones by mixing complementary colors.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →overworking the details
  • →creating muddy colors
  • →losing the sense of atmosphere
  • →making the composition too symmetrical

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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