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home·artworks·Shields from the harbour mouth
Shields from the harbour mouth by John Wilson Carmichael

plate no. 6411

Shields from the harbour mouth

John Wilson Carmichael, 1845

oilRomanticismlandscapecoastlinerockswaterskybuildingsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures of rocks and foliage. Students will also learn how to create a sense of depth using value and color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the coastline, rocks, and distant buildings.

  2. step 02

    Establish the sky with broad strokes, blending light and dark grays to create a cloudy effect.

  3. step 03

    Block in the large rock formation with mid-tone browns and grays, paying attention to the light and shadow areas.

  4. step 04

    Paint the water with horizontal strokes, using lighter blues and grays near the horizon and darker tones closer to the foreground.

  5. step 05

    Add details to the rocks, using dry brush techniques to create texture and highlights.

  6. step 06

    Paint the distant buildings and ships, using muted colors to suggest atmospheric perspective.

  7. step 07

    Add the figures and birds, keeping them small and simple.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · payne's gray

Mix various shades of gray by combining white, blue, and umber. Use yellow ochre and burnt sienna to warm up the browns for the rocks. Create atmospheric perspective by lightening and muting colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·blending
  • ·scumbling
  • ·value study

common pitfalls

  • →Overworking the details in the distant buildings, which should remain soft and muted.
  • →Creating too much contrast in the rocks, which can make them appear flat.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Using colors that are too bright or saturated, which can detract from the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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