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home·artworks·Shepherds below Cervara in Latium
Shepherds below Cervara in Latium by August Ahlborn

plate no. 1874

Shepherds below Cervara in Latium

August Ahlborn, 1837

oil, canvasRomanticismlandscapelandscapetreesmountainsfiguresanimalsarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering complex forms like trees and buildings with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main elements: the large tree, the distant mountains, and the architectural structure.

  2. step 02

    Establish the sky with a light blue wash, blending it softly towards the horizon.

  3. step 03

    Block in the distant mountains with muted blues and purples, paying attention to atmospheric perspective.

  4. step 04

    Lay in the general tones of the landscape, using earth tones like burnt umber and yellow ochre. Establish the light and shadow patterns.

  5. step 05

    Paint the large tree, starting with the trunk and branches, then adding foliage with varied greens and browns.

  6. step 06

    Add details to the architectural structure in the distance, simplifying the forms and using muted colors.

  7. step 07

    Paint the figures and animals in the foreground, using small brushstrokes and paying attention to their relative scale.

  8. step 08

    Add final details and highlights to enhance the overall sense of depth and realism.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →overworking details in the background
  • →using colors that are too saturated
  • →failing to establish a clear light source
  • →making the figures too large relative to the landscape

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags or paper towels
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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