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home·artworks·Sheep Shearing
Sheep Shearing by George Harvey

plate no. 8368

Sheep Shearing

George Harvey, 1859

oilRomanticismgenre paintinglandscapemountainsfiguressheepskyfire
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering realistic figures in a landscape setting. It also provides practice in capturing the subtle color variations in natural light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition, focusing on the placement of the mountains, figures, and horizon line.

  2. step 02

    Block in the main areas of color, starting with the sky and mountains, using thin washes of paint.

  3. step 03

    Develop the landscape, adding details to the grass, rocks, and stone walls, paying attention to the variations in color and texture.

  4. step 04

    Paint the figures, starting with the larger shapes and gradually adding details to their clothing and faces.

  5. step 05

    Add the sheep, focusing on their simple shapes and the way they interact with the landscape.

  6. step 06

    Create the fire and smoke, using warm colors and soft blending to create a sense of movement.

  7. step 07

    Refine the details throughout the painting, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall atmosphere.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red

Achieve the muted tones of the landscape by mixing raw umber with white and small amounts of blue, yellow ochre, and burnt sienna. Use red and yellow to create the warmth of the fire.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·figure drawing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Using colors that are too bright or saturated.
  • →Neglecting the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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