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home·artworks·Sheep Pasture, Cornish, New Hampshire
Sheep Pasture, Cornish, New Hampshire by Maxfield Parrish

plate no. 4965

Sheep Pasture, Cornish, New Hampshire

Maxfield Parrish, 1936

oilRomanticismlandscapelandscapehillscloudsskytreespasture
some experience helpful

Recreating this painting will help students develop skills in value studies and creating depth through atmospheric perspective. It also provides practice in loose, expressive brushwork to suggest form and texture.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, hills, cloud formations, and foreground elements.

  2. step 02

    Establish the sky with a diluted blue wash, leaving areas for the clouds.

  3. step 03

    Begin layering values in the background hills, using a lighter, cooler gray.

  4. step 04

    Work on the mid-ground pasture, building up values with grays and blacks, leaving some areas white to suggest snow or light.

  5. step 05

    Define the foreground elements with the darkest values, using bold brushstrokes.

  6. step 06

    Add details to the trees and rocks, focusing on suggesting texture rather than precise rendering.

  7. step 07

    Refine the cloud shapes and add subtle variations in tone.

  8. step 08

    Step back and adjust values as needed to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · ivory black · titanium white

secondary · raw umber

Mix various shades of gray by combining black and white. Use more white for lighter values and more black for darker values. Add a touch of blue to grays for cooler tones in the background.

techniques

  • ·value studies
  • ·atmospheric perspective
  • ·dry brush
  • ·layering
  • ·wash

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Not establishing a clear value range, resulting in a flat or muddy painting.
  • →Making the foreground too light, which will flatten the image.
  • →Using too much water, which will make the colors run and bleed.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·ultramarine blue watercolor
  • ·ivory black watercolor
  • ·titanium white watercolor
  • ·water container
  • ·palette
  • ·paper towels

optional

  • ·masking fluid
  • ·palette knife
  • ·raw umber watercolor

Use a good quality watercolor paper that can withstand multiple washes. Experiment with different brush sizes to achieve a variety of textures.

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oil painting for beginners →how to learn by studying the masters →
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