apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Shearing Shed, Newstead
Shearing Shed, Newstead by Tom Roberts

plate no. 3174

Shearing Shed, Newstead

Tom Roberts, 1894

oilImpressionismlandscapelandscapebarntreesskyfencesheep
some experience helpful

This painting is great for learning how to create depth using color temperature and how to suggest details with loose brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the barn, trees, and fence, paying attention to proportions.

  2. step 02

    Block in the sky with a light blue, leaving space for the clouds.

  3. step 03

    Establish the main color of the field with a warm yellow-ochre.

  4. step 04

    Add the darker values of the barn and trees using browns and umbers.

  5. step 05

    Paint the clouds with white and light grays, using soft blending.

  6. step 06

    Define the fence with thin lines and subtle shadows.

  7. step 07

    Add details to the trees and barn with short, broken brushstrokes.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt umber

secondary · raw sienna · cadmium yellow light · payne's grey

Mix the sky blue by combining ultramarine blue with white. Achieve the warm field color by mixing yellow ochre with a touch of burnt umber. Create various shades of brown by mixing burnt umber with yellow ochre and white.

techniques

  • ·dry brushing
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the colors too saturated and unnatural.
  • →Failing to establish a clear value structure.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·palette scraper

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann