apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·She went away accompanied by the Lions
She went away accompanied by the Lions by Arthur Rackham

plate no. 6220

She went away accompanied by the Lions

Arthur Rackham

oilArt Nouveau (Modern)illustrationfigurelionsdressfoliagedark background
experienced study

Recreating this painting will help students develop skills in detailed linework, pattern creation, and rendering textures with limited color palettes. It also encourages careful observation of light and shadow to create depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, lions, and background elements.

  2. step 02

    Refine the sketch, paying attention to proportions and anatomical details of the lions and the figure's pose.

  3. step 03

    Apply a base layer of light washes for the skin, dress, and lion's fur.

  4. step 04

    Begin adding darker values to establish shadows and create depth, focusing on the background and under the figure.

  5. step 05

    Use fine linework to define the details of the figure's clothing, the lions' manes, and the foliage.

  6. step 06

    Introduce patterns on the dress, using a consistent motif and varying the size and placement.

  7. step 07

    Add highlights to the figure's face, the lions' eyes, and other areas to create focal points.

  8. step 08

    Refine the linework and add final details to enhance the overall texture and visual interest.

color palette

primary · ivory black · burnt umber · raw sienna

secondary · crimson · cerulean blue

Mix ivory black with burnt umber for the dark background and shadows. Use raw sienna with touches of burnt umber and white for the lion's fur. Mix crimson with white for the dress pattern.

techniques

  • ·cross-hatching
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·pattern creation

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating flat, lifeless shadows.
  • →Inconsistent linework that lacks variation.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·crimson oil paint
  • ·cerulean blue oil paint
  • ·small round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·detail brush

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois