
plate no. 0962
Pietro Lorenzetti, 1325
Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and subtle color blending to achieve realistic skin tones. It also offers practice in rendering drapery and creating a sense of depth through careful value control.
technical profile
approach — 8 steps
Create a light sketch outlining the basic shapes of the cross, figure, and base.
Block in the main areas of color: the wood of the cross, the skin tones, the drapery, and the gold halo.
Begin to refine the figure's anatomy, paying close attention to proportions and muscle structure.
Develop the shading and highlights on the figure to create a sense of volume.
Add details to the drapery, including folds and highlights, to give it a realistic texture.
Paint the details of the cross, including the inscription at the top.
Add the skull and rocks at the base, paying attention to their form and texture.
Refine the overall painting, adjusting colors and values as needed to achieve a harmonious effect.
color palette
primary · raw umber · titanium white · yellow ochre
secondary · ivory black · gold · alizarin crimson
Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black for shadows and wood tones. Mix gold with yellow ochre and a touch of brown for the halo.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Calendar: January (Banquet Scene)
Limbourg brothers

Archangel Michael
Álvaro Pires de Évora

Christ as Man of Sorrow
Stefan Lochner

Virgem Com O Menino
Álvaro Pires de Évora

Petrarch's Virgil (title page)
Simone Martini

David Imagines Christ Elevated Above All Other Beings
Limbourg brothers

Heavenly Host
Limbourg brothers

Sts. Catherine, Hubert and Quirinus
Stefan Lochner