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home·artworks·Shadows on a Staircase in Southern France
Shadows on a Staircase in Southern France by Winston Churchill

plate no. 3493

Shadows on a Staircase in Southern France

Winston Churchill

oilImpressionismlandscapebuildingsstairsvegetationshadowsarchitecturecourtyard
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow on architectural forms and understanding how to simplify complex scenes into basic shapes and colors. It also provides practice in using visible brushstrokes to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, stairs, and vegetation, focusing on proportions and perspective.

  2. step 02

    Block in the main areas of color using thin washes, paying attention to the overall value structure.

  3. step 03

    Start building up layers of paint, focusing on the areas of light and shadow.

  4. step 04

    Use thicker paint and visible brushstrokes to add texture and detail to the buildings and vegetation.

  5. step 05

    Mix and apply the colors for the shadows, noting their subtle variations.

  6. step 06

    Refine the details of the stairs, doors, and windows.

  7. step 07

    Add the final highlights and details to create a sense of depth and realism.

  8. step 08

    Step back and make any necessary adjustments to the composition and color balance.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · viridian green · cadmium red · ultramarine blue

Mix various shades of ochre and sienna with white to create the warm tones of the buildings. Use green and blue to create the foliage, and red and sienna to create the brick and terracotta colors.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to accurately capture the values and proportions of the scene.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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