
plate no. 7202
Nicolae Vermont, 1911
This painting offers a good opportunity to practice capturing light and shadow on fabric and skin tones with loose brushstrokes. Students can learn to simplify details and focus on the overall impression of the scene.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and chair.
Establish the background with broad strokes of dark brown and gray.
Block in the main areas of color: the skin tones, the white clothing, and the patterned skirt.
Refine the shapes and values, paying attention to the light and shadow.
Add details such as the red necklace and the facial features.
Use thicker paint and visible brushstrokes to create texture and interest.
Soften edges where needed to create a sense of atmosphere.
Add final highlights and shadows to enhance the form.
color palette
primary · burnt umber · titanium white · yellow ochre
secondary · cadmium red · ultramarine blue
Mix various shades of brown and gray by combining burnt umber, yellow ochre, and titanium white. Use small amounts of ultramarine blue to cool down the browns. Add cadmium red to create the red accents.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.
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