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home·artworks·Seville Catedral on the Side of the Steps
Seville Catedral on the Side of the Steps by Jenaro Pérez Villaamil

plate no. 9100

Seville Catedral on the Side of the Steps

Jenaro Pérez Villaamil, 1835

oilRomanticismcityscapecathedralarchitecturecityscapefiguresskyclouds
experienced study

Recreating this painting will help students develop skills in architectural rendering, atmospheric perspective, and depicting figures in a complex urban environment. It also provides practice in capturing the effects of light and shadow on detailed surfaces.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the cathedral and surrounding buildings, paying attention to perspective.

  2. step 02

    Establish the horizon line and the vanishing points to guide the perspective.

  3. step 03

    Block in the sky with light blue and white, blending softly to create clouds.

  4. step 04

    Apply a base layer of warm gray to the cathedral, varying the tone to suggest light and shadow.

  5. step 05

    Add details to the cathedral's architecture, using a fine brush for intricate elements.

  6. step 06

    Paint the figures in the foreground, using small brushstrokes to suggest movement and detail.

  7. step 07

    Develop the street scene with muted colors and loose brushwork, creating a sense of depth.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric composition.

color palette

primary · titanium white · ultramarine blue · raw umber · yellow ochre

secondary · burnt sienna · ivory black

Achieve the subtle grays and browns by mixing raw umber, yellow ochre, and small amounts of ultramarine blue and white. Use burnt sienna to add warmth to the shadows.

techniques

  • ·atmospheric perspective
  • ·architectural rendering
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the architectural details too sharp and defined, losing the atmospheric effect.
  • →Overworking the figures, making them appear stiff and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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