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home·artworks·Sevastopol aqueduct in the gully Ushakovskaya
Sevastopol aqueduct in the gully Ushakovskaya by Lev Lagorio

plate no. 3475

Sevastopol aqueduct in the gully Ushakovskaya

Lev Lagorio, 1850

watercolor, paperRomanticismlandscapebridgewatertreeslandscapeskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes and creating atmospheric perspective. It also provides practice in rendering architectural details and natural elements like trees and water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the bridge, trees, and horizon line.

  2. step 02

    Apply a light wash of diluted blue and pink for the sky, allowing colors to blend softly.

  3. step 03

    Paint the distant hills with a diluted green-grey wash to establish atmospheric perspective.

  4. step 04

    Begin layering washes of green and brown for the trees and foliage, building up depth and detail.

  5. step 05

    Paint the bridge with a cool grey wash, adding darker shadows to define the arches and structure.

  6. step 06

    Add the water with horizontal strokes of blue and green, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Paint the small building with light blues and whites, adding subtle shadows.

  8. step 08

    Add final details such as the figures, small branches, and highlights to complete the painting.

color palette

primary · cerulean blue · sap green · raw umber · burnt sienna

secondary · alizarin crimson · yellow ochre

Mix greens by combining blue and yellow. Achieve muted tones by adding a touch of complementary color (e.g., adding a touch of red to green). Use diluted washes for the sky and distant elements.

techniques

  • ·watercolor washes
  • ·layering
  • ·wet-on-wet blending
  • ·dry brush
  • ·atmospheric perspective

common pitfalls

  • →Overworking the washes, leading to muddy colors.
  • →Using too much water, causing colors to bleed uncontrollably.
  • →Neglecting the importance of light and shadow.
  • →Failing to create a sense of depth and distance.
  • →Making the bridge too dark and overpowering the scene.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser
  • ·spray bottle

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

watercolor techniques →how to learn by studying the masters →
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