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home·artworks·Set it first to thy lips
Set it first to thy lips by Arthur Rackham

plate no. 7740

Set it first to thy lips

Arthur Rackham

oilArt Nouveau (Modern)illustrationfigurestreefoliagehorndressdoor
some experience helpful

Recreating this painting will help students develop skills in rendering figures with drapery and creating depth through layering and value control. It also provides practice in depicting complex organic forms like trees and foliage.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures, tree, and background elements.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black wash.

  3. step 03

    Begin layering in mid-tones, focusing on the figures' skin and clothing.

  4. step 04

    Develop the tree trunk and branches, paying attention to the intricate details and textures.

  5. step 05

    Add highlights to the figures and the tree to create contrast and depth.

  6. step 06

    Refine the details of the figures' faces and clothing, including the horn and the dress patterns.

  7. step 07

    Add final touches to the foliage and background, ensuring a cohesive and atmospheric feel.

  8. step 08

    Review and adjust values and details as needed to achieve the desired effect.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · yellow ochre · titanium white

Achieve the muted tones by mixing browns with small amounts of red, yellow, and white. Use thin washes to build up color gradually.

techniques

  • ·layering
  • ·dry brushing
  • ·hatching
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the overall atmospheric effect by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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