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September by T. C. Steele

plate no. 2550

September

T. C. Steele, 1892

oil, canvasImpressionismlandscapelandscapetreesskyfigurespathfield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to represent distance. It also provides practice in capturing the essence of a scene with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path, horizon line, and placement of major elements like the trees and figures.

  2. step 02

    Block in the sky with light blue and white, using short, broken brushstrokes to suggest clouds.

  3. step 03

    Establish the general color tones for the distant hills and the field, using muted blues and yellows.

  4. step 04

    Paint the large tree on the right, layering greens, yellows, and browns to create depth and texture in the foliage.

  5. step 05

    Add the figures in the middle ground, keeping them simple and suggestive.

  6. step 06

    Develop the foreground with more detail, adding grasses, wildflowers, and shadows to create a sense of depth.

  7. step 07

    Refine the details, adjusting colors and values as needed to create a cohesive and atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and form.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to distant colors.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Using colors that are too saturated.
  • →Failing to establish a clear sense of depth.
  • →Making the figures too detailed and distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, sap green)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to create color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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