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home·artworks·Sentry-box Reach, Hawkesbury River, New South Wales
Sentry-box Reach, Hawkesbury River, New South Wales by Julian Ashton

plate no. 0527

Sentry-box Reach, Hawkesbury River, New South Wales

Julian Ashton, 1886

oilImpressionismlandscapemountainswaterfiguresvegetationskyboat
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering washes to create depth. It also provides practice in rendering reflections on water and suggesting detail with minimal brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountains, water line, and foreground.

  2. step 02

    Apply a light wash of diluted blue and grey for the sky, allowing it to blend softly.

  3. step 03

    Paint the distant mountains with diluted washes of grey, blue, and brown, using lighter values for mountains further away.

  4. step 04

    Establish the base color of the water with a mid-tone blue wash, leaving areas for reflections.

  5. step 05

    Paint the foreground with a mix of greens, browns, and yellows, using dry brush techniques to create texture.

  6. step 06

    Add darker tones to the foreground vegetation and figures to create contrast.

  7. step 07

    Paint the reflections in the water, mirroring the colors and shapes of the mountains and sky.

  8. step 08

    Add final details such as the boat and subtle highlights to the vegetation.

color palette

primary · ultramarine blue · burnt sienna · raw umber

secondary · yellow ochre · payne's grey

Mix ultramarine blue with burnt sienna to create various shades of grey and brown. Dilute colors with water to achieve transparent washes. Use yellow ochre to warm up the greens and browns in the foreground.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering washes
  • ·rendering reflections

common pitfalls

  • →Overworking the details in the foreground
  • →Creating too much contrast in the distant mountains
  • →Making the reflections too sharp and defined
  • →Using colors that are too saturated

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·masking tape

optional

  • ·palette knife
  • ·gouache (for highlights)
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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