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home·artworks·Selling Pretzels (Waiting for Christmas)
Selling Pretzels (Waiting for Christmas) by Rudolf Schweitzer-Cumpana

plate no. 6208

Selling Pretzels (Waiting for Christmas)

Rudolf Schweitzer-Cumpana, 1925

oilImpressionismgenre paintingfiguressnowwinterclothinglandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice applying visible brushstrokes to create texture and form. It's a good exercise in capturing light and shadow in a snowy landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and the horizon line.

  2. step 02

    Block in the main areas of color: the figures' clothing, the snow, and the sky.

  3. step 03

    Begin adding layers of paint, focusing on capturing the subtle color variations in the snow and clothing.

  4. step 04

    Use short, visible brushstrokes to create texture and form.

  5. step 05

    Pay attention to the direction of light and shadow to create depth.

  6. step 06

    Refine the details of the figures' faces and clothing.

  7. step 07

    Add final highlights and shadows to enhance the overall effect.

  8. step 08

    Allow to dry and varnish.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · raw sienna · payne's gray · cadmium yellow light

Mix white with small amounts of blue and yellow ochre to create the cool tones in the snow. Use burnt umber and yellow ochre to create the warm tones in the figures' clothing. Add small amounts of blue to darken shadows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Not capturing the subtle color variations in the snow.
  • →Ignoring the direction of light and shadow.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue)
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·easel

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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