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home·artworks·Selling Chickens in Liguria
Selling Chickens in Liguria by Henry Herbert La Thangue

plate no. 4139

Selling Chickens in Liguria

Henry Herbert La Thangue, 1906

oilImpressionismgenre paintingfigurechickensbuildingpathcartfoliage
some experience helpful

Recreating this painting will help students develop skills in rendering figures in natural light and creating texture with visible brushstrokes. It also provides practice in depicting a complex scene with multiple elements and figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures, building, and cart.

  2. step 02

    Establish the main light source and indicate areas of light and shadow.

  3. step 03

    Block in the large areas of color, starting with the background and working towards the foreground.

  4. step 04

    Develop the details of the figures, focusing on accurate proportions and anatomy.

  5. step 05

    Add texture to the building, path, and foliage using visible brushstrokes.

  6. step 06

    Refine the colors and values, paying attention to the subtle variations in light and shadow.

  7. step 07

    Add final details, such as the chickens, the cart's details, and the foliage.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · titanium white · raw umber · yellow ochre · burnt sienna

secondary · cadmium red · ultramarine blue · viridian

Mix various shades of white with touches of yellow ochre and raw umber to create the light tones of the dress and building. Use burnt sienna and raw umber for the darker areas of the path and foliage. Add small amounts of cadmium red and ultramarine blue to create the colors of the chickens.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to accurately represent the proportions of the figures.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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