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Selfportrait by Jan Toorop

plate no. 2006

Selfportrait

Jan Toorop, 1883

oilImpressionismself-portraitself-portraitfigureartistbookstablestudio
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing likeness, and creating depth through layering and subtle color variations. It also provides practice in rendering textures and details with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key objects.

  2. step 02

    Establish the background with broad, loose strokes, paying attention to the shelf of books and other studio elements.

  3. step 03

    Block in the main shapes of the figure, starting with the head, hat, and torso.

  4. step 04

    Begin layering colors to define the facial features, clothing, and hands, using a limited palette.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using smaller brushes and finer strokes.

  6. step 06

    Develop the textures of the clothing, hat, and surrounding objects with varied brushstrokes and color variations.

  7. step 07

    Refine the lighting and shadows to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the subtle browns and grays by mixing burnt umber, ivory black, and titanium white in varying proportions. Use yellow ochre and cadmium red light sparingly to add warmth to the skin tones and other areas.

techniques

  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·layering
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Losing the looseness and spontaneity of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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