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home·artworks·Self-Portrait with Model
Self-Portrait with Model by Christian Schad

plate no. 4428

Self-Portrait with Model

Christian Schad, 1927

oil, woodMagic Realismself-portraitfiguresportraitflowerindustrial landscapenudeplaid
experienced study

Recreating this painting will help students develop skills in portraiture, figure painting, and subtle color blending to achieve realistic skin tones. It also introduces the challenge of depicting various textures like skin, fabric, and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the composition, paying attention to proportions and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, focusing on highlights and shadows.

  4. step 04

    Work on the details of the faces, including the eyes, nose, and mouth, using small brushes and precise strokes.

  5. step 05

    Paint the background and industrial landscape, using muted colors and soft edges.

  6. step 06

    Add details to the fabric and flower, paying attention to texture and form.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · raw umber · cadmium red light

secondary · ultramarine blue · alizarin crimson · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and blue for shadows. Mix alizarin crimson and white for the pinkish tones.

techniques

  • ·portraiture
  • ·figure painting
  • ·glazing
  • ·color blending
  • ·scumbling

common pitfalls

  • →Getting skin tones too flat or muddy.
  • →Incorrect proportions of the figures.
  • →Overworking the details too early in the process.
  • →Ignoring the subtle color variations in the skin.
  • →Inaccurate rendering of the fabric texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (small round, flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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oil painting for beginners →how to learn by studying the masters →
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