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home·artworks·Self-Portrait With Mint Tower
Self-Portrait With Mint Tower by Isaac Israels

plate no. 6098

Self-Portrait With Mint Tower

Isaac Israels, 1912

oilImpressionismself-portraitportraitfigureself-portraitbuildingpalette
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create subtle variations in skin tone. It also provides practice in creating depth through layering and soft edges.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and background elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, clothing, and background.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in tone.

  5. step 05

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Develop the background, using soft edges and muted colors to create a sense of atmosphere.

  8. step 08

    Add final touches and adjustments to refine the overall composition.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · raw sienna · ivory black · cadmium red light

Mix skin tones using white, yellow ochre, and a touch of red and burnt umber. Use ivory black and burnt umber to create darks for the clothing and shadows. Muted background colors can be achieved by mixing complementary colors.

techniques

  • ·portrait painting
  • ·alla prima
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·selection of round and flat brushes
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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