apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-portrait with brushes and palette
Self-portrait with brushes and palette by Theodor Leopold Weller

plate no. 0191

Self-portrait with brushes and palette

Theodor Leopold Weller, 1854

oil, canvasRomanticismself-portraitportraitfigurepalettebrushesclothingartist
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering of skin tones, and creating depth through subtle value changes. It also provides practice in depicting textures of clothing and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and placement on the canvas.

  2. step 02

    Block in the main areas of color: background, skin, clothing.

  3. step 03

    Start refining the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing, including folds and textures.

  5. step 05

    Paint the hair, using short, directional brushstrokes.

  6. step 06

    Add details to the palette and brushes.

  7. step 07

    Refine the background, ensuring it complements the figure.

  8. step 08

    Add final highlights and shadows to create depth and realism.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and ivory black to create the dark tones of the coat. Mix white with a touch of yellow ochre and raw umber for the background.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value study
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Ignoring the subtle value changes that create depth.
  • →Using too much black, which can make the painting look muddy.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: ivory black, raw umber, titanium white, cadmium red, yellow ochre, burnt sienna, ultramarine blue
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Easel

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Mahogany oil

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke