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home·artworks·Self-portrait with brother (he is the one on the right with the hat)
Self-portrait with brother (he is the one on the right with the hat) by August Ahlborn

plate no. 7581

Self-portrait with brother (he is the one on the right with the hat)

August Ahlborn, 1827

oilRomanticismself-portraitportraitfigurescityscapeclothinghatlandscape
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle skin tones, as well as creating depth through atmospheric perspective in the background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures and the background cityscape.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Begin blocking in the main colors of the skin tones, clothing, and background.

  4. step 04

    Refine the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the clothing, including the folds and textures.

  6. step 06

    Add details to the background cityscape, focusing on atmospheric perspective.

  7. step 07

    Refine the overall composition and make any necessary adjustments.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing raw sienna, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Use ultramarine blue and ivory black to create the dark tones in the clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the faces wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·soft cloth

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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