
plate no. 5178
Cuno Amiet, 1903
Recreating this painting will help students develop skills in color mixing for skin tones and capturing the impressionistic style through visible brushstrokes. It also provides practice in portraiture and rendering depth in a landscape.
technical profile
approach — 8 steps
Sketch the basic shapes of the portrait and landscape, paying attention to proportions.
Establish the background by layering greens and blues for the trees and grass.
Block in the main areas of the face and beard with base colors.
Begin adding highlights and shadows to the face to create form.
Develop the details of the beard using short, directional brushstrokes.
Paint the apple, focusing on the color variations and highlights.
Refine the details of the clothing and background.
Add final touches and adjust colors as needed.
color palette
primary · titanium white · yellow ochre · ultramarine blue · alizarin crimson
secondary · viridian green · burnt umber · cadmium yellow
Skin tones can be achieved by mixing yellow ochre, alizarin crimson, and titanium white. Greens are created by mixing ultramarine blue and cadmium yellow, with variations achieved by adding white or burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.
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