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home·artworks·Self Portrait with a Book
Self Portrait with a Book by Tintoretto

plate no. 9128

Self Portrait with a Book

Tintoretto, 1585

oil, canvasMannerism (Late Renaissance)self-portraitportraitfiguremanbeardbookself-portrait
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It also provides practice in capturing likeness and rendering textures like hair and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark neutral color.

  2. step 02

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hand.

  3. step 03

    Block in the darkest areas of the background and clothing with a thin layer of dark paint.

  4. step 04

    Establish the main light source and begin building up the highlights on the face and hand.

  5. step 05

    Carefully blend the transitions between light and shadow to create a sense of volume.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, paying attention to their placement and proportions.

  7. step 07

    Render the beard with short, broken brushstrokes to create texture.

  8. step 08

    Add final highlights and details to the clothing and book.

color palette

primary · ivory black · burnt umber · yellow ochre

secondary · raw sienna · titanium white

Achieve the skin tones by mixing yellow ochre, burnt umber, and a touch of white. Use ivory black and burnt umber for the dark areas, and add small amounts of yellow ochre or raw sienna to create subtle variations in tone.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·tonal painting

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Over-blending the transitions between light and shadow, resulting in a flat appearance.
  • →Getting the proportions of the face wrong.
  • →Using too much detail too early in the painting process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A pre-toned canvas will save time and help establish the dark background. Use a slow-drying medium to allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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