
plate no. 9128
Tintoretto, 1585
Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It also provides practice in capturing likeness and rendering textures like hair and fabric.
technical profile
approach — 8 steps
Prepare a toned canvas with a dark neutral color.
Lightly sketch the basic shapes and proportions of the head, shoulders, and hand.
Block in the darkest areas of the background and clothing with a thin layer of dark paint.
Establish the main light source and begin building up the highlights on the face and hand.
Carefully blend the transitions between light and shadow to create a sense of volume.
Add details to the face, such as the eyes, nose, and mouth, paying attention to their placement and proportions.
Render the beard with short, broken brushstrokes to create texture.
Add final highlights and details to the clothing and book.
color palette
primary · ivory black · burnt umber · yellow ochre
secondary · raw sienna · titanium white
Achieve the skin tones by mixing yellow ochre, burnt umber, and a touch of white. Use ivory black and burnt umber for the dark areas, and add small amounts of yellow ochre or raw sienna to create subtle variations in tone.
techniques
common pitfalls
surface · stretched canvas
required
optional
A pre-toned canvas will save time and help establish the dark background. Use a slow-drying medium to allow for more blending time.
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