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home·artworks·Self-Portrait, seated at a desk
Self-Portrait, seated at a desk by Petrus van Schendel

plate no. 1920

Self-Portrait, seated at a desk

Petrus van Schendel, 1869

oil, canvasRomanticismself-portraitportraitfiguremanbeardbooksdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in depicting fabric and creating a sense of depth through layering and value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle variations in color and value.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures of the fabric.

  5. step 05

    Render the beard and hair, using small brushstrokes to create a sense of volume and texture.

  6. step 06

    Paint the background drapery and books, using soft blending to create a sense of depth.

  7. step 07

    Add highlights and details to the face and clothing to enhance the realism of the portrait.

  8. step 08

    Make final adjustments to the composition and color balance to achieve a cohesive and harmonious result.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · yellow ochre

Achieve skin tones by mixing white, sienna, umber, and small amounts of crimson. Dark clothing is a mix of black and umber. Use white to lighten values and create highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of the figure
  • →Oversimplifying skin tones
  • →Failing to create a sense of depth
  • →Overworking details too early in the process

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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