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home·artworks·Self-Portrait on a Horse
Self-Portrait on a Horse by Frederic Remington

plate no. 8275

Self-Portrait on a Horse

Frederic Remington, 1890

oilImpressionismself-portraithorsefigurelandscapeskycowboyhat
some experience helpful

This painting provides a good opportunity to practice painting a realistic horse and figure in a landscape, while also learning how to capture light and shadow to create depth and form. Students can learn to mix realistic skin tones and create the illusion of texture in the horse's coat and the surrounding landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the horse, rider, and landscape.

  2. step 02

    Block in the main areas of color, starting with the sky and the large areas of the landscape.

  3. step 03

    Begin to refine the shapes and details of the horse and rider, paying attention to the light and shadow.

  4. step 04

    Mix and apply the colors for the horse, focusing on capturing the subtle variations in tone.

  5. step 05

    Add details to the rider's clothing and gear, using smaller brushes.

  6. step 06

    Refine the landscape, adding details to the rocks and vegetation.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Review and adjust the painting as needed to achieve a cohesive and realistic result.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · cadmium red light · ivory black

Mix various shades of white by adding small amounts of yellow ochre, ultramarine blue, and burnt umber. Use burnt umber and ultramarine to create darker tones for shadows. Mix cadmium red light with white to create the skin tones.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Getting the proportions of the horse wrong.
  • →Overworking the details and losing the overall impression.
  • →Not paying attention to the light and shadow.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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