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home·artworks·Self-Portrait of the Painter with the Colosseum in the Background
Self-Portrait of the Painter with the Colosseum in the Background by Maerten van Heemskerck

plate no. 7837

Self-Portrait of the Painter with the Colosseum in the Background

Maerten van Heemskerck, 1553

oil, canvasMannerism (Late Renaissance)self-portraitportraitruinsarchitecturefigurelandscapebeard
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as architectural rendering and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the portrait, Colosseum, and other figures.

  2. step 02

    Block in the main color areas for the skin tones, clothing, and background using thin washes.

  3. step 03

    Begin building up layers of color on the face, focusing on highlights and shadows to create form.

  4. step 04

    Develop the details of the beard and hair, using small brushstrokes to create texture.

  5. step 05

    Work on the Colosseum, paying attention to the perspective and the play of light and shadow on the ruins.

  6. step 06

    Add the figures in the background, simplifying their forms and using muted colors.

  7. step 07

    Refine the details of the clothing and the inscription at the bottom.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · raw sienna · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use umber and black for shadows and details. Create the Colosseum's color by mixing burnt umber, raw sienna, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·architectural rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate color mixing leading to muddy tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6, 8)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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