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home·artworks·Self-portrait of Luca Signorelli (left)
Self-portrait of Luca Signorelli (left) by Luca Signorelli

plate no. 2017

Self-portrait of Luca Signorelli (left)

Luca Signorelli, 1503

frescoHigh Renaissanceself-portraitfiguresportraitsmenheadwearhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also provides practice in rendering hair and clothing with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the two figures.

  2. step 02

    Establish the background with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of color for the faces, hair, and clothing.

  4. step 04

    Begin building up the values in the faces, focusing on the light and shadow.

  5. step 05

    Add details to the hair, using small, directional brushstrokes.

  6. step 06

    Refine the clothing, paying attention to the folds and textures.

  7. step 07

    Adjust the background as needed to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · yellow ochre · cadmium red light

Achieve skin tones by mixing burnt sienna, raw umber, and titanium white, adjusting the proportions for highlights and shadows. Use ivory black sparingly to darken values.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the faces, resulting in a stiff appearance.
  • →Failing to establish a strong value structure, leading to a flat painting.
  • →Using colors that are too saturated, creating an unnatural look.
  • →Incorrect proportions of the facial features.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Acrylic or oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water
  • ·Rags

optional

  • ·medium gloss
  • ·retarder

A toned canvas (light brown or gray) can be helpful for establishing the initial values.

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