apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-portrait in White Dress
Self-portrait in White Dress by Jacek Malczewski

plate no. 5770

Self-portrait in White Dress

Jacek Malczewski

oilArt Nouveau (Modern)self-portraitportraitfigureclothinghatartist
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in subtle color mixing and creating realistic skin tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and pose.

  2. step 02

    Establish the background color with a thin wash of neutral tones.

  3. step 03

    Block in the main shapes of the figure, focusing on the overall values.

  4. step 04

    Begin refining the skin tones, using subtle color variations to create form.

  5. step 05

    Develop the details of the clothing, capturing the highlights and shadows.

  6. step 06

    Add the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Refine the hair and beard, paying attention to the texture and direction of the strokes.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Mix various shades of white with small amounts of raw umber and yellow ochre to create the off-white tones of the clothing. Use burnt sienna and cadmium red light for the skin tones, adjusting with white and raw umber to create highlights and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the clothing too bright and losing the sense of depth.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois