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Self-portrait in gentleman's clothes by Francesco de' Rossi (Francesco Salviati), "Cecchino"

plate no. 1300

Self-portrait in gentleman's clothes

Francesco de' Rossi (Francesco Salviati), "Cecchino"

oilMannerism (Late Renaissance)portraitportraitfiguremanclothingbeardhat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness. It will also provide practice in rendering fabric textures and subtle tonal variations in skin tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure, head, and main features.

  2. step 02

    Block in the background with a thin wash of color, paying attention to the subtle variations in tone.

  3. step 03

    Establish the basic skin tones using a limited palette of earth tones and white.

  4. step 04

    Gradually build up the values in the face, focusing on the light and shadow patterns to create form.

  5. step 05

    Paint the beard and hair, using short, broken brushstrokes to suggest texture.

  6. step 06

    Block in the dark clothing, paying attention to the folds and drapery.

  7. step 07

    Add details to the collar and hat, using fine brushstrokes.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights and shadows as needed.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones by blending white with small amounts of raw umber, burnt sienna, and yellow ochre. Use ivory black and raw umber for the dark clothing, adding small amounts of burnt sienna for warmth.

techniques

  • ·portraiture
  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the dark clothing too flat and lifeless.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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