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home·artworks·Self-Portrait in a White Smock
Self-Portrait in a White Smock by Lovis Corinth

plate no. 5321

Self-Portrait in a White Smock

Lovis Corinth, 1918

oilImpressionismself-portraitself-portraitfigureartiststudiopaintingeasel
some experience helpful

Recreating this painting will help students develop skills in capturing likeness and form using expressive brushstrokes and a limited color palette. It's a good exercise in understanding value relationships and creating depth with paint.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background elements.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes.

  3. step 03

    Begin building up the form with thicker, more expressive brushstrokes, focusing on the planes of the face and body.

  4. step 04

    Mix and apply the local colors, paying attention to the subtle shifts in hue and value.

  5. step 05

    Refine the details of the face, such as the eyes, nose, and mouth, using smaller brushes.

  6. step 06

    Add highlights and shadows to create a sense of depth and volume.

  7. step 07

    Adjust the overall composition and color balance as needed.

  8. step 08

    Add final details and refine edges to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Mix various shades of brown and gray by combining raw umber, yellow ochre, ivory black, and titanium white. Use burnt sienna to add warmth to the skin tones.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Getting bogged down in details too early.
  • →Not paying attention to the subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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