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home·artworks·Self Portrait
Self Portrait by William Henry Huddle

plate no. 7965

Self Portrait

William Henry Huddle, 1891

oilRomanticismself-portraitportraitmanfaceshirtfigurehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It will also improve their understanding of light and shadow in creating form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and shirt.

  2. step 02

    Establish the background color with a thin wash of neutral gray.

  3. step 03

    Block in the main areas of light and shadow on the face and neck using a limited palette of earth tones.

  4. step 04

    Refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add subtle color variations to the skin tones to create a sense of depth and realism.

  6. step 06

    Paint the shirt with loose, expressive brushstrokes, capturing the folds and wrinkles in the fabric.

  7. step 07

    Adjust the values and colors throughout the painting to create a harmonious and balanced composition.

  8. step 08

    Add final details and highlights to bring the portrait to life.

color palette

primary · titanium white · burnt umber · raw sienna · ivory black

secondary · cadmium red light · yellow ochre

Mix skin tones by combining white, umber, sienna, and small amounts of red and yellow. Use black sparingly to deepen shadows. Create neutral grays by mixing black and white.

techniques

  • ·portrait sketching
  • ·value blocking
  • ·color mixing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using too much black and creating muddy colors.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, raw sienna, ivory black, cadmium red light, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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