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Self Portrait by Tintoretto

plate no. 3292

Self Portrait

Tintoretto, 1548

oil, canvasMannerism (Late Renaissance)self-portraitportraitmanfacebeardclothingself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head and shoulders.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general areas of light and shadow on the face and clothing.

  3. step 03

    Begin refining the facial features, focusing on the eyes, nose, and mouth. Pay close attention to the subtle variations in value and color.

  4. step 04

    Develop the hair and beard, using short, broken brushstrokes to create texture and volume.

  5. step 05

    Refine the details of the clothing, using darker values to create a sense of depth and shadow.

  6. step 06

    Adjust the overall composition, making sure that the values and colors are balanced and harmonious.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · raw umber · burnt umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining raw umber, burnt umber, ivory black, and titanium white. Use yellow ochre and cadmium red light sparingly to add warmth to the skin tones.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the overall sense of unity and harmony.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (raw umber, burnt umber, ivory black, titanium white, yellow ochre, cadmium red light)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry completely before applying the next.

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