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home·artworks·Self-Portrait
Self-Portrait by Tintoretto

plate no. 4131

Self-Portrait

Tintoretto, 1588

oil, canvasMannerism (Late Renaissance)self-portraitportraitfiguremanbeardfacehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle tonal variations in skin and beard. It also provides practice in creating depth and atmosphere through chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark ground (e.g., burnt umber wash).

  2. step 02

    Lightly sketch the basic proportions and placement of the head and shoulders.

  3. step 03

    Block in the main areas of light and shadow using thin washes of color.

  4. step 04

    Gradually build up the form of the face, paying close attention to the subtle shifts in value.

  5. step 05

    Add details to the eyes, nose, and mouth, refining the likeness.

  6. step 06

    Render the beard with loose, expressive brushstrokes, capturing its texture and volume.

  7. step 07

    Adjust the background to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · raw sienna · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows, and white for highlights. Mix white with small amounts of umber and ochre to create the grey tones in the beard.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

A pre-toned canvas with a dark ground will be helpful. Use high-quality oil paints for best results.

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