apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait
Self-Portrait by Théodore Géricault

plate no. 2793

Self-Portrait

Théodore Géricault

oilRomanticismself-portraitportraitfigureclothingself-portraitface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and using a limited palette to create depth and form. It also provides practice in visible brushwork and layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of light and shadow on the face using a mix of raw sienna, white, and a touch of red.

  4. step 04

    Begin building up the darker tones of the hair and clothing with burnt umber and black.

  5. step 05

    Add highlights to the face and collar with white and a touch of yellow ochre.

  6. step 06

    Refine the details of the eyes, nose, and mouth, paying attention to subtle shifts in value and color.

  7. step 07

    Use short, visible brushstrokes to create texture in the hair and clothing.

  8. step 08

    Add final highlights and details to the collar and face.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium red light · yellow ochre

Achieve skin tones by mixing raw sienna, white, and small amounts of red and yellow ochre. Use burnt umber and black for shadows and dark areas. Add white to lighten colors and create highlights.

techniques

  • ·portraiture
  • ·visible brushstrokes
  • ·layering
  • ·color mixing
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and losing the texture.
  • →Not paying attention to the proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to allow for easier blending. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke