
plate no. 1106
Recreating this painting will help students understand color mixing for skin tones and practice visible brushstroke techniques to build form. It also provides an opportunity to study portrait proportions and capturing likeness.
technical profile
approach — 8 steps
Lightly sketch the basic proportions and pose of the figure on the canvas.
Block in the background with a thin layer of burnt sienna and raw umber.
Establish the main light and shadow areas on the face using a limited palette of white, yellow ochre, and burnt umber.
Mix and apply skin tones, focusing on subtle color variations in the light and shadow.
Paint the hair using short, directional brushstrokes to indicate form and texture.
Add details to the eyes, nose, and mouth, paying attention to accuracy and expression.
Paint the clothing, using a similar approach to the face with visible brushstrokes.
Refine the painting, adjusting values and colors as needed to achieve a cohesive and expressive portrait.
color palette
primary · burnt sienna · raw umber · titanium white · yellow ochre
secondary · cadmium red light · ivory black
Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of red. Darker tones are created by adding burnt umber and a small amount of black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use artist-grade oil paints for best results. A medium-grit canvas will provide a good surface for the brushstrokes.
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