
plate no. 5265
Sofonisba Anguissola, 1610
Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering realistic skin tones. It also provides practice in depicting textures such as fabric and paper.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and chair.
Establish the background with a dark, muted tone.
Block in the main areas of color for the skin, clothing, and chair.
Refine the facial features, paying attention to the light and shadow.
Add details to the clothing, including the ruff and folds.
Paint the hands and the objects they are holding (letter and book).
Refine the chair and add details like the trim.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · raw umber · titanium white
secondary · cadmium red · yellow ochre
Mix ivory black and raw umber for the dark clothing and background. Use titanium white to lighten the skin tones and create highlights. Mix cadmium red with raw umber to create the chair's color.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow of the paint.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Apollo and the Muses (Parnassus)
Lavinia Fontana

Portrait Of Don Rodrigo Vasquez
El Greco

Madonna Bolognini
Correggio

The Unhappy Lot of the Rich
Maerten van Heemskerck

Head of a Woman
Orazio Gentileschi

The Deposition
Giorgio Vasari

Portrait of a Man Holding a Letter
Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana
Bartolomeo Passerotti