
plate no. 7369
Raoul Dufy, 1901
This painting provides an opportunity to practice loose watercolor washes and capturing likeness with minimal detail. Students can learn to suggest form and light using limited color and expressive brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the face and figure with a pencil.
Apply a light, diluted wash of warm yellow or ochre over the entire paper as a base tone.
Begin adding darker washes of burnt sienna and umber to define the shadows and contours of the face and hair.
Use a slightly darker mix to define the features like the eyes, nose, and mouth, keeping the edges soft.
Add washes of red and orange to the background and clothing, varying the intensity for depth.
Introduce small amounts of blue and green for subtle color variations in the shadows and features.
Use a fine brush to add thin, dark lines for details like the hair strands and clothing edges.
Let the painting dry completely and assess the values; add final touches to enhance contrast and definition.
color palette
primary · burnt sienna · raw umber · yellow ochre
secondary · ultramarine blue · cadmium red light · sap green
Achieve skin tones by mixing burnt sienna, yellow ochre, and a touch of red. Use ultramarine blue and burnt sienna to create muted shadows. Dilute colors with water for transparent washes.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.
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