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Self Portrait by Parmigianino

plate no. 2193

Self Portrait

Parmigianino, 1540

oilMannerism (Late Renaissance)self-portraitportraitfiguremanbeardhathead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the head, hat, and beard.

  2. step 02

    Block in the main areas of color, focusing on the dark background and the overall tones of the face and hat.

  3. step 03

    Start building up the form of the face with layers of light and shadow, paying attention to the subtle transitions in value.

  4. step 04

    Add details to the beard, using small brushstrokes to create texture and definition.

  5. step 05

    Refine the features of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  6. step 06

    Work on the hat, adding highlights and shadows to create a sense of volume.

  7. step 07

    Adjust the overall values and colors to create a harmonious and balanced composition.

color palette

primary · burnt umber · raw sienna · cadmium red · titanium white

secondary · ivory black · yellow ochre

Achieve the skin tones by mixing white, sienna, and a touch of red. Use umber and black for the dark areas, and add white to create highlights. Mix red with a touch of umber for the hat's shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values.
  • →Using colors that are too saturated or unnatural.
  • →Not paying enough attention to the proportions of the face.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints (burnt umber, raw sienna, cadmium red, titanium white, ivory black, yellow ochre)
  • ·Assorted round and flat brushes
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use a canvas with a smooth surface for best results. Consider using a toned canvas to help establish the overall values of the painting.

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