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home·artworks·Self-Portrait
Self-Portrait by Paolo Veronese

plate no. 3336

Self-Portrait

Paolo Veronese, 1563

oil, canvasMannerism (Late Renaissance)self-portraitportraitmanbeardclothingfacehistorical
some experience helpful

Recreating this portrait will help students understand how to build form with subtle value changes and how to create realistic skin tones by layering different colors. It will also teach them how to simplify complex details into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main light and shadow areas on the face and clothing using a limited palette.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to subtle variations.

  5. step 05

    Refine the facial features, focusing on accurate proportions and details.

  6. step 06

    Add details to the clothing, such as the buttons and collar.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium red light

Mix skin tones by combining yellow ochre, burnt sienna, and white, with small amounts of red and umber for shadows. Achieve the dark clothing color by mixing ivory black and raw umber.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overblending the skin tones, resulting in a flat appearance.
  • →Getting the proportions of the face wrong.
  • →Making the dark areas too uniform and lacking depth.
  • →Not paying enough attention to the subtle color variations in the skin.
  • →Overworking details too early in the process.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, yellow ochre, titanium white, burnt sienna, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.

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