apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-portrait
Self-portrait by Maurycy Gottlieb

plate no. 8319

Self-portrait

Maurycy Gottlieb, 1876

oilRomanticismself-portraitportraitfiguremanshadowfaceclothing
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to build form with light and shadow. It also provides practice in capturing a likeness and conveying mood through limited color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic proportions and pose of the figure.

  2. step 02

    Establish the darkest areas of the background with a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light on the face and clothing with a mid-tone yellow ochre.

  4. step 04

    Gradually build up the highlights using lighter shades of yellow and white, focusing on the nose, cheekbones, and forehead.

  5. step 05

    Define the shadows with darker mixtures of brown and black, paying attention to the subtle gradations.

  6. step 06

    Refine the details of the face, such as the eyes, mouth, and hair, using small, precise brushstrokes.

  7. step 07

    Add subtle color variations to the clothing and background to create depth and interest.

  8. step 08

    Glaze thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · titanium white · raw sienna

Mix yellow ochre with white for highlights, and burnt umber with black for shadows. Use raw sienna to add warmth to the skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle color variations in the shadows.
  • →Failing to capture the correct proportions of the face.
  • →Using too much paint, obscuring the underlying layers.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints: yellow ochre, burnt umber, ivory black, titanium white, raw sienna
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas primed with a warm tone to enhance the overall effect. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke