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home·artworks·Self Portrait
Self Portrait by Marjorie Acker Phillips

plate no. 1104

Self Portrait

Marjorie Acker Phillips

oilImpressionismself-portraitportraitfigureindoorplantwindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing light and shadow with visible brushstrokes. It also provides practice in simplifying complex forms and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the portrait, focusing on the head, shoulders, and facial features.

  2. step 02

    Establish the background with broad strokes, noting the light and shadow patterns.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, using a limited palette.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in skin tone and the play of light on the face.

  5. step 05

    Add details to the clothing and background, such as the folds in the scarf and the leaves of the plant.

  6. step 06

    Develop the brushwork, using visible strokes to create texture and movement.

  7. step 07

    Adjust the values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · burnt sienna · yellow ochre · ultramarine blue

secondary · cadmium red · viridian green · raw umber

Mix skin tones by combining white, yellow ochre, and burnt sienna, adding small amounts of red or blue to adjust the hue. Use ultramarine blue and burnt sienna to create neutral grays and browns for shadows.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Failing to capture the likeness of the subject.
  • →Not paying enough attention to the values and color relationships.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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