apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait
Self-Portrait by Marietta Robusti

plate no. 9437

Self-Portrait

Marietta Robusti, 1580

oil, canvasMannerism (Late Renaissance)self-portraitportraitfiguredressmusical instrumentsheet musicpearl necklace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose, the instrument, and the main shapes.

  2. step 02

    Establish the background with a dark, muted color.

  3. step 03

    Block in the main areas of color for the skin, dress, and instrument.

  4. step 04

    Begin layering and blending the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the dress, including the lace and folds.

  6. step 06

    Add details to the musical instrument and sheet music.

  7. step 07

    Refine the facial features, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red. Use ivory black and raw umber for the dark background. Mix white with a touch of raw umber for the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value shifts that create form.
  • →Getting lost in the details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to establish the background color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti