apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self Portrait
Self Portrait by Marcus Stone

plate no. 5973

Self Portrait

Marcus Stone, 1883

oilRomanticismself-portraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering skin tones. It also provides practice in creating subtle variations in color and value to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape of the portrait and the basic proportions of the head and shoulders.

  2. step 02

    Block in the main areas of color: background, skin tones, hair, clothing.

  3. step 03

    Refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in value.

  5. step 05

    Add details to the hair, clothing, and background, using smaller brushes.

  6. step 06

    Pay attention to the light source and create highlights and shadows to define the form.

  7. step 07

    Refine the edges and details, ensuring a cohesive and realistic representation.

  8. step 08

    Add final touches and glazes to enhance the colors and create depth.

color palette

primary · burnt umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue. The background is primarily burnt umber with subtle variations achieved by adding small amounts of other colors.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·glazing
  • ·modeling

common pitfalls

  • →Incorrect proportions leading to a distorted likeness.
  • →Over-blending resulting in a flat, lifeless appearance.
  • →Inaccurate color mixing leading to unnatural skin tones.
  • →Ignoring the light source and failing to create realistic shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a burnt umber wash can be helpful.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke